“As friends of Mary Stopperton,” he said, “we meet on neutral ground. But in all matters of moment I expect we are as far asunder as the poles. I stand for the People.” It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her.!

“Arthur is still away,” she explained, “and I feel that he wants me. I should be worrying myself, thinking of him all alone with no one to look after him. It’s the mother instinct I suppose. It always has hampered woman.” She laughed. “I guess I’m spoiling yours, too,” he answered. “I’m not worth it. I might have done something to win you and keep you. I’m not going to do much without you.”

She waited till they had reached a quiet road leading to the hills. Joan remembered Folk, the artist she had met at Flossie’s party, who had promised to walk with her on the terrace at St. Germain, and tell her more about her mother. She looked up his address on her return home, and wrote to him, giving him the name of the hotel in the Rue de Grenelle where Mrs. Denton had arranged that she should stay. She found a note from him awaiting her when she arrived there. He thought she would like to be quiet after her journey. He would call round in the morning. He had presumed on the privilege of age to send her some lilies. They had been her mother’s favourite flower. “Monsieur Folk, the great artist,” had brought them himself, and placed them in her dressing-room, so Madame informed her. They met more often from that day, for Joan was frankly using her two columns in the Sunday Post to propagate his aims. Carleton, to her surprise, made no objection. Nor did he seek to learn the result of his ultimatum. It looked, they thought, as if he had assumed acceptance; and was willing for Phillips to choose his own occasion. Meanwhile replies to her articles reached Joan in weekly increasing numbers. There seemed to be a wind arising, blowing towards Protection. Farm labourers, especially, appeared to be enthusiastic for its coming. From their ill-spelt, smeared epistles, one gathered that, after years of doubt and hesitation, they had—however reluctantly—arrived at the conclusion that without it there could be no hope for them. Factory workers, miners, engineers—more fluent, less apologetic—wrote as strong supporters of Phillips’s scheme; but saw clearly how upon Protection its success depended. Shopmen, clerks—only occasionally ungrammatical—felt sure that Robert Phillips, the tried friend of the poor, would insist upon the boon of Protection being no longer held back from the people. Wives and mothers claimed it as their children’s birthright. Similar views got themselves at the same time, into the correspondence columns of Carleton’s other numerous papers. Evidently Democracy had been throbbing with a passion for Protection hitherto unknown, even to itself.